In the album’s wake, Courtney Love said, “The one rock star that makes me know I’m shit is Polly Harvey. They all thought that was a good idea, but they weren’t familiar with records that had been made there. Ellis: Polly was writing pretty quickly. Rid of Me spawned no breakaway radio hits and garnered minimal MTV play, but tracks like the frenetic, thrashing “50 Ft. Queenie” and the harrowing howler, “Man-Size,” made quite an impact nonetheless — SPIN named it the fourth best album of 1993 and put her on the cover two years later. rock] youtu.be/KBZoL8... video. We were living in a very damp flat with gas heaters, and I had a poky little room at the front of the house. "Produced by Steve Albini and originally released in May 1993, Rid Of Me features the singles ‘50ft Queenie’ and ‘Man-Size’. That’s what his sound is like to me. Kurt told me very specifically that he thought Polly’s voice was great on those recordings. Ellis: It was the three of us, Steve, and his girlfriend at the time, who was doing the cooking for us. The album charted at … The first PJ Harvey studio album in the Island Records catalogue, and her second studio album. It’s very tangible. In July 1988, Harvey became a member of Automatic Dlamini, a band based in Bristol with whom she gained extensive ensemble-playing experience. So Polly was up in London and she was very unhappy. The Steve Albini -produced Rid of Me, Harvey’s acclaimed second LP, will appear on vinyl for the first time since the record’s 1993 release. save. Ellis: I remember doing takes and me saying, “I’m really not happy with that take, can we do it again?” And he’d say, “What are you talking about? There’s an expectation that you’re just going to take everything apart and start from scratch. We were just there to make the music. I found writing Rid of Me very free-flowing. “Rid of Me” is a classic example of that. Dorset-native Polly Jean Harvey (better known by her androgynous stage name, PJ Harvey) has been making music since 1992. I knew that it would suit the songs. Harvey had met Parish in 1987 through mutual friend Jeremy Hogg, the band's slide guitarist. Harvey: I can never get back to what that first album was like because then you’re writing purely because you need to. He really liked the way her singing came across. No one hears from him at all or knows what he’s doing. Lyrics to 'Rid of Me' by Pj Harvey. There was just no sound from birds or anything. Produced by Steve Albini and originally released in May 1993, Rid Of Me features the singles ‘50ft Queenie’ and ‘Man-Size’. She started out as an angry girl who spun out words that a lot of singers at that time wouldn't have dared. Ellis: Polly suggested that we record it with Steve Albini because she was aware that the way he recorded was pretty much recording a band live, no-nonsense, and it’s done. No, you're not rid of me. Formed by John Parish in 1983, the band consisted of a rotating line-up that at various times included Rob Ellisand Ian Oliver. Reissue on vinyl of the first PJ Harvey studio album in the Island Records catalogue, and her second studio album. Tottenham is quite a rough area in London. "When I wrote 'Rid of Me,' I shocked myself," Harvey explained to Spin magazine. Tie yourself to me, no one else No, you're not rid of me, you're not rid of me Night and day I breathe, hey, you're not rid of me Yeah, you're not rid of me, yeah, you're not rid of me Yeah, you're not rid of me The album charted at number 3 in the UK. I want to go to the country.” I ended up in this fishing village to just write songs, and sort of regroup myself and have a bit of down time. This is a 2020 reissue vinyl LP pressing of Rid Of Me by PJ Harvey. I remember starting to write the song “Rid of Me,” sitting on my bed in my damp front room by the gas heater. I believe it was the case that he played some of the mixes that we did on that session to Nirvana actually in the weeks after our session, before recording In Utero. We were away all the time. It’s difficult to say how that atmosphere came across in the studio, but we were all very individualistic in our own way. Ellis: Steve’s an incredible engineer. She started wearing feather boas and sunglasses onstage. When I was at art college, all I wanted to do was shock with my artwork. Log in or sign up to leave a comment Log In Sign Up. Albini: Minor music-business functionaries having an opinion about how a singer should sing or how her band should sound — all those people can go fuck themselves. 1 contributor. The studio was right next to the house. For me, the quintessential PJ Harvey sound is and will always be the raw guitar sound that Albini conjured up for this album. If you’re going to be working on a record for a week or more, it can be kind of taxing to have to get up every morning, find a cab, and get to the studio. We were there for ten days in total. So each of us were dealing with the fact that we’d been thrust into this situation. It had to be quite aggressive in places because the lyrical tone was very aggressive. We were playing all the time. I remember everything about the room: The way it smelled, the way it looked, and the view from the windows. They wanted to capitalize on that. Rid of Me … The vinyl reissue of PJ Harvey’s entire back catalogue continues this summer with RID OF ME and 4-TRACK DEMOS out August 21 on UMC / Island. The album charted at number 3 in the UK. I remember Rob saying, at one point, “Everyone just breaks down and cries.” Because you’re just like, “Where am I? Inevitably, if you’ve had any degree of interest, you know that people are going to be waiting for that next piece of work. P J Harvey * – Rid Of Me. rock] video. Rob Ellis, drums: It was a funny time for all of us. There was even a swimming pool inside the house. Doubtless it was considered appropriate to Harvey’s “warts and all” aesthetic, though in truth, there’s precious little here but the warts. I remember walking on my own around the studio, in the snow, in complete silence. It was freezing. He was a fan. Then when it hits the chorus, it has to explode. I think he lives a sort of hermetic existence these days. Tensions rose gradually and the business side of things just got really intense. But I thought it was an astonishing record. At the time I was listening almost exclusively to those Russian 78s, along with Howlin’ Wolf, Tom Waits, and the Pixies. Head: That record is an absolutely fantastic recording of the tension within that band. I haven’t done any sort of Pepsi Challenge with other records of the era, but it’s hard for me to think of a better record that came out during that period. Screaming girl fans would fill the venue and then as soon as they finished playing, all the screaming girl fans left. Use left/right arrows to navigate the slideshow or swipe left/right if using a mobile device, Full colour outer sleeve, with printed inner sleeve, Download card (for 16bit 44.1kHz WAV files), choosing a selection results in a full page refresh, press the space key then arrow keys to make a selection. I remember listening to a playback and nobody was happy with that. PJ Harvey - Rid Of Me (Letra e música para ouvir) - Tie yourself to me / No one else, no / You're not rid of me / No, you're not rid of me / Night and day I breathe / You're not rid of me / No, you're not rid 1993 Preview Editors’ Notes After introducing a trio sound that fan Warren Zevon likened to Bartok, PJ Harvey moved on to up the ante with producer Steve Albini. It’s like touching real objects or feeling the grain of wood. I reject the notion that I have very much responsibility for the ultimate success or failure of a record. Some light reading. It makes me squirm in places but the reason it makes me squirm is because it is quite close to the bone. I thought the music on the demos was really great. We were three pretty uncommunicative individuals and got more so after Rid of Me. At that time, I very much wanted to write songs that shocked. 100% Upvoted. Ellis: We weren’t particularly communicative, one to another. But you can’t ignore it. That was very hard to get that feel right. The sounds are remarkable. Maria Mochnacz, photographer/art director/videographer: I flew out to do some European dates and then we went to America. Success came to me very quickly and I was very young. A howling smash-up of blues, punk, and Beefheartian avant-garde stomp, Rid of Me felt like an expression of pure, unadulterated id — albeit an id with defiant post-feminist ideals and a sneaky sense of humor. The house and the isolation brought that out even more. I’ll tie your legs, keep you against my chest, no, you’re not rid of me. I need to stare out of a window whilst I’m writing. Occasionally, he would take a refusenik kind of approach. Polly’s playing is incredible but the sound is amazing. I’m not going to play that.” But very rarely. It was in Dorset on the Jurassic Coast. Not so long ago, I borrowed the Russian 78s back off the restaurateur so I could record them, because they’d been so much in my memory. Ellis: We must have done a year of touring. When everyone is on-campus then the entire experience can be a lot more relaxed. Reissue is faithful to the original recording and package, cutting by Bob Weston at Chicago Mastering under the guidance of … I remember that causing tension in the band. In order to access any of the rest of the house you had to walk through my room. The album charted at number 3 in the UK. The snow soaked up the sound of your footsteps. I don’t like to do that. Ellis: I remember turning up at the studio feeling pretty knackered, actually. We’d been touring so much. Albini: I like the residential aspect of that studio for extended sessions. Steve Albini, engineer: There’s a common perception that going into the studio is a completely different experience for a band than a gig or a rehearsal or something like that. Miley Cyrus Embraces Her Rock Star Destiny on, Ariana Grande Delivers Sultry Yet Forgettable R&B on. There was a fun fair that would pitch up in a field to the right of the restaurant every June, so for a while, I had a fun fair outside my window. 0 comments. It was still floating around that this thing was not permanent and potentially this wasn’t going to be a career. Salinger’s Franny and Zooey. Genre: Rock. I used a sample of one of them on the 4-Track Demos [on “Hook”]. So I just wanted to say something that hadn’t been said in that way before. It needed to be as aggressive as the words were. Produced by Steve Albini and originally released in May 1993, Rid Of Me features the singles `50ft Queenie' and `Man-Size'. There was a wonderful collection of furniture and also Russian vinyl 78s. For me, at the time, I was all about the honesty. P J Harvey. on Amazon Music Unlimited (ad) "Rid Of Me". Polly Jean Harvey, vocals/guitar: I’d done a foundation course in art school and was going to do a degree in sculpture, but instead of doing that, I’d signed a record deal and deferred my place. I’d also been reading a lot of Flannery O’Connor’s short stories, and J.D. I think the view from your window when you’re writing really does inform what you’re writing about quite a lot. Steve [Vaughan] barely talked anyway. I’ve worked on a lot of great records and I’ve worked on a lot of shitty records, and from my perspective, the work is equally demanding and equally satisfying on a terrible record as it is on a great record. I’d help myself to the food bar, and then they’d get the wine bottles as they needed them. We never went out together and bonded as a band, we weren’t mates for years and years beforehand at school or any of that stuff. Ellis: It’s ugly music, but ugly in a good way. If you’re in the middle of a city, there’s a bunch of distractions. Rid of Me is the second studio album by English singer-songwriter and musician PJ Harvey. It was kind of difficult to listen to at first, because that was an intense time. Some of the vocals are literally hysterical, mad, crazy. The difference is the people making the music had a great record in them when they were doing the great record. Reissue on vinyl of the first PJ Harvey studio album in the Island Records catalogue, and her second studio album. I knew the restaurant owner and he was letting me rent this flat at a good price. The different stories within the songs, that was more just interests, as I was reading books and letting my imagination run wild, looking out the windows. Andy Gill (reviewing the album in 1993 in The Independent): Rid of Me is one long clumsy galumph, an extended tantrum of foot-stomping and frowns…Producer and ‘grunge godfather’ Steve Albini has compounded the album’s generally user-unfriendly aspect with a deliberately rough production that acknowledges few of the usual niceties: When someone coughs over the strummed intro to ‘Rub ‘Til It Bleeds,’ he doesn’t bother to stop them and start again, or even mix it out. Yeah, it is easily to see why this is one of her best bodies of work. So I deferred my college course again to write Rid of Me. But in 1993, PJ Harvey was the name of a band: bassist Steve Vaughan, drummer Rob Ellis, and frontwoman Polly Jean Harvey, who would soon after come to be known as “PJ Harvey” regardless of whom she played with. Providing saxophone, guitars and background vocals, she travelled extensively during the band's early days, including performances in Ea… I knew that this was the type of song I was trying to write. Head: To say there was some tension would be accurate. That helps me find where I’m going. Reissue on vinyl of the first PJ Harvey studio album in the Island Records catalogue, and her second studio album. It’s a pretty un-ignorable record. That’s absolutely fine.” We were done in three days. report. Polly had gone up to London, she had an offer to go to college. And PJ Harvey had a great record in them when they did Rid of Me. PJ Harvey has a walloping, 50-foot-tall legacy — musicially and emotionally raw when stadium angst was a boys club; opening the door for everyone from Alanis to Karen O. I could really bring out my inner Bonham with that drum sound. Rid of Me was their second album, coming on the heels of their stark, remarkable 1992 debut, Dry, which had launched the trio from their modest beginnings playing forgettable gigs around England’s West Country (including one where they were famously paid to stop playing) into a major-label bidding war (won by Island Records) and on to an international stage. Ellis: The songs would come to us pretty much full-formed. It was very fragile. We had a talk about it — it was as much my decision as hers. Alongside with PJ Harvey's powerful vocal delivery and some of her best lyrics. We were starting to get quite feisty, and hiding in our own corners in terms of what we were doing as a three-piece. SPIN spoke to Rid of Me’s primary architects to get the fraught story behind the album’s creation, and chronicle its messy aftermath. On September 24, 1993, Polly Jean Harvey made her “Tonight Show” debut with a peculiar solo performance of the title track from her second album, Rid of Me. Listen free to PJ Harvey – Rid of Me (Rid of Me, Missed and more). Because a lot of the music this time had big dynamic shifts in it where it would go from quiet and moody into the bombastic — “bombastic” is the wrong way to put it — the bigger dynamic sections. Harvey: I moved to a flat that was right by the sea, the English Channel. As soon as the song was rehearsed, whatever anyone was playing was the right thing immediately. I beg you my darling, don’t leave me I’m hurting. It was pretty much instantly there. no comments yet. Be the first to share what you think! But I can’t say it really hindered my writing. –. Tie yourself to me. We did feel completely isolated. If I listen to the demos of Rid of Me now, I hear that room so clearly. I would play my instrument — I was largely working on guitar and keyboards at that time, although I’d also just bought a cello, so I was playing a bit of cello — and I would almost scat-sing the words that I jotted down. You end up blowing an awful lot of time just getting under way. Obviously, some of the words were pretty strong, visceral, so the music had to be something that matched that. I’m nothing next to the purity that she experiences.” Similar accolades poured in from everyone from Kurt Cobain and Elvis Costello to Madonna and Jon Bon Jovi. Albini: Almost immediately after our first conversation, I was sent demos. Ellis: When we’d done a bunch of gigs supporting Dry, we went into the studio quite quickly to start recording a follow-up. Ellis: We had Radiohead support us on a gig in New York and we were really, really unhappy about that. It worked out well. We only finished one — a version of “Man-Size” with the sextet. I was thinking of going to music college. Hmm you're not rid of me. You can almost feel the room. There were fights. Play "Rid Of Me". When I’m writing towards a record, there’s often one song that emerges as the lynchpin. But it was fairly clear that Polly — probably because of the frame of mind she was in because she was so unsettled and pretty unhappy with her personal life and where she was living — just didn’t want to go through the process of making a record like that. If there was something he didn’t like, he would put his foot down and say, “I don’t like that, I’m not going to do it. Jimmy Page would be jealous. When I wrote “Rid of Me,” I shocked myself. It was a nice place. I remember they were on tour with Gallon Drunk and they played a show in New York that Radiohead was supporting them. Ellis: I just assumed she was writing from some personal experience, but also with a poetic eye, a writer’s imagination, which isn’t necessarily autobiographical. Sort by. They just wanted a slightly more dramatic presentation. And we very rarely ever had to change much. There wasn’t a lot of time for socializing and flim-flam. I’m sure that contributed in some way to Rid of Me. It’s a way of concentrating everybody’s attention. Rid of Me. So I said we should just do this again, real straight, and it ended up coming out great. Everybody’s mood was pretty high. That was quite an eerie feeling. So I sent them a copy of Rid of Me. Some of the songs for Rid of Me were there when we were recording Dry. *. PJ Harvey Lyrics. About “Rid of Me”. Ellis: Our lives had been overturned. We’d gone from playing gigs in local pubs just before the first album to suddenly John Peel promoting us, having an album in the Top 10 of the charts, and playing big festival crowds. Ideas came quickly. Rid Of Me. Produced by Steve Albini and originally released in May 1993, Rid Of Me features the singles ‘50ft Queenie’ and ‘Man-Size’. I really wanted that very bare, very real sound. PJ Harvey has a walloping, 50-foot-tall legacy — musicially and emotionally raw when stadium angst was a boys club; opening the door for everyone from Alanis to Karen O. Just a year after the acclaimed release of debut album DRY (1992), Harvey returned with her second studio album RID OF ME in May 1993. They get better if you work on them with more attention, but not necessarily over a longer period. Harvey: I had just come out of my teens and at that time you really want to make your mark on the world. Hi, Here's another PJ Harvey tab, as compiled by Sean: Rid of Me (from the album Rid of Me) The chords are A, F and G, and it's really easy apart from the timing of … The restaurant owner’s mother had lived there previously — she was Russian — and it was all her furniture and things. Having extra time at your disposal is kind of an inducement to worrying the record and making it weaker. My marriage was completely on the ropes at that point. Whereas, if it’s a residential environment, if somebody comes up with a good idea at midnight, you just walk over to the studio part and do it. It was a survival mechanism for her, a way of protecting her personal self from what was going on all around her. Everything we wanted or needed was in the house. He never voiced any particular opinions about things. I might’ve also been reading [Friedrich Nietzsche’s] Thus Spake Zarathustra. Release Info: TBC. Polly and I drifted back into working together again, but the last time I saw Steve Vaughan was over ten years ago. So at minus-20-something outside, we could have a swim in the evening or when we weren’t doing something during the day. I’d known them for a long time and I actually wasn’t that comfortable making a record with them under those circumstances. Posted by just now. You’re not going through the mill, tearing your hair out creatively. No one else. Albini: I was an outsider to their internal band dynamic, so to me, it seemed like they were getting along fine. Polly, at that point, was developing her stage persona, this “PJ Harvey” person. It was released by Island Records in May 1993, approximately one year after the release of her critically acclaimed debut album Dry. Produced by Steve Albini and originally released in May 1993, Rid Of Me features the singles ‘50ft Queenie’ and ‘Man-Size’. Harvey: That whole period of my life was such a huge change. Harvey: I’d have a little notebook of odd phrases, maybe a couple of lines here and there that I liked, and then I would really improvise. In rehearsals, we never questioned what the song was about or asked Polly about, “What are we trying to aim for here considering the lyric is this?” It was purely instinctive. Just the five of us in the middle of nowhere in Minnesota, in this big old house, in the winter, in a snowbound wood. It was very difficult to be the middleman. 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